Sadia Latifi

Content Strategist :: New York office

Sadia serves as Content Strategist for The Barbarian Group.
Before that, she was a reporter at The News & Observer in Raleigh, N.C.. At the N&O, she covered the town of Cary, the seventh biggest municipality in the state, and two school systems. She won some writing awards. Before that, she was a student at Columbia University. While there, she wrote for New York, Psychology Today, the McClatchy Washington Bureau and the Columbia Daily Spectator.
Sadia is a native of northern Virginia. She loves news, pop culture, music and her RSS feed.

Content Conversations: Margot Bloomstein on Curation, Branding, and Ethical Content Strategy

I posted the results of my questionnaire with Margot Bloomstein last week as a prelude to this heavier discussion with the content strategist and author of the upcoming Content Strategy at Work. We talked a bit about how content strategy fits within brand strategy, the dangers of algorithmic ‘curation,’ and ethical content strategy. Read on!
At Barbarian Group, the content strategy department sits within the user experience department but often collaborations with our strategy department since many of our techniques overlap. You identify yourself as both a brand strategist and content strategist. How do they distinguish themselves or work together?

When I say that I’m a brand and content strategist, I don’t offer the breadth or depth of expertise that a branding agency might. I feel like as long as I’m upfront with my clients about that, that’s usually appropriate for their needs on a particular project. Often times, clients might come in and say we’re a new company or we’re an existing company trying to relaunch our brand on the web so maybe they already have figured out how their brand works offline, but they need help translating it to a new medium or figuring out the voice and style and what that means for content types that they should be supporting. So I really practice brand strategy in the context of content strategy. I think that also speaks to my background – I have a BFA in design – so I have approached it from a visual and verbal angle, and I think it also more broadly speaks to the breadth of content strategy. We say that content strategy is a pretty broad umbrella in that there are people under it that focus more on metadata-driven content strategy and content models, and maybe other people that focus more on workflow and governance issues as they relate to content management and still other people that focus more on brand-driven content strategy. That’s really where I tend to work.

Have you worked in tandem with a branding agency or branding strategist before?

Early in my career, definitely. I learned a lot by working alongside those folks especially how they view the entire marketplace in which we were introducing a new brand. And I worked just as much with usability and user researchers, and that’s helpful to understand the audience that’s going to be engaging with the brand. Now that we’re focusing more and more on content strategy as it works in communities and social media and user generated content, we have to constantly balance the needs of the business and the needs of their target audience and kind of establish the goals and rhetorical arena that exists between the two.

I wanted to talk about one of your recent presentations on creation, curation, and ethical content strategy. What on the web are you responding to right now?

At a semantic level, over the past year, I was seeing more and more how people within content marketing, SEO, and content strategy realms were kind of co-opting the term curation and using it interchangeably with aggregation and editing in some contexts. That bugged me because I knew that we were getting behind something as a buzz word without really understanding all of its implications. That’s why I wanted to reach out to the more traditional world of curating content – museums and exhibit designers – to find out more about when they use that term – what do they mean, what does it entail, and what are the implications and responsibilities that they have to convey.

That was the conversational milieu that I was responding to and then specifically on the web, when I was seeing content, it appeared like it was aggregated entirely by an automated engine without human oversight. That was really bugging me because I knew from a branding perspective that it was undermining what it was attempting to do. It was undermining the credibility and thought leadership of the brands that were producing it.

Do you think aggregation of content or amassing content is ever useful?

It’s definitely useful as an intermediary step in an internal process. I’m a big fan of automated curated solutions to sort of establish the scope and gather the things that a human curator can oversee and say ‘Okay, this obviously came in through the keywords and it came in through a Boolean search but it’s not right for our target audience, or it’s not right because it’s talking about an especially volatile political issue.’ There’s always got to be that person that steps in and until our so-called “curation solutions” get better at sentiment analysis and understanding nuance in the way that people do, it’s going to be very tough to replace what a human can do in that process.

Does curation ever pose a threat to open access to information, in the vein of Wikipedia or WikiLeaks?

Well, I think the idea with open access to information is half of the equation. We’re giving everyone access to all of this content with the assumption then that people will look through it and make their own decisions. That’s great and it works when you have a very focused, niche target audience and a narrow data set, but once you start saying, everybody jump into this, where this is a huge volume of content, then you have to wonder: are people looking through all of it? I look at the challenge of when the Huffington Post says ‘OK, the government just released all of this content and we need volunteers now to look through it to look at what’s important’ – they’re basically saying we need help curating.

Even if we just look at content online, there are billions of websites, millions of blogs, and more content goes up on YouTube every minute than anybody could ever look through in their entire lives, so that’s why we need ways to filter it ourselves. Of course, YouTube gives you ways to filter it by topic and keyword, and they also give you assistance in filtering by showing you related videos that are more like what you just saw and then they’re putting the tools of curation in part in the hands of the viewer, but also in the hands of the content publisher and the person that uploads that video and decides to tag it.

What about the issues of the filter bubble that have been discussed recently? That perhaps too much filter is blocking access to information that we may need to know even if it’s not what we consume regularly?

I think that raises a lot of difficult and uncomfortable issues. Siva Vaidhyanathan spoke recently at edUi. His talk was all around the power of Google and what we recognize as that curatorial power, and he also shared an example of two people conducting the same search with the same keywords but doing them on two different devices or from two different geographic locations and how the content that showed up on the search results was very different because Google was making certain assumptions and the algorithm was basing its results on the results of past searches and what those different users have previously chosen from different search results. It also raises some big challenges around the issues of the echo chamber within our news environment. That more and more we self-polarize and tend to seek out news sources and support viewpoints that we already have – that’s really not that different from going to the search engine, having it either be cookied or that you log in to use it, and it says, ‘Oh, you again and I know the type of content you like and let me show you more of that’ because we’re getting more content within that echo chamber that supports our existing beliefs and our existing knowledge.

You talk about the idea of ethical content strategy. What does that mean?

If we go back to one of the core working definitions of content strategy, it’s that it’s fighting for the creation, aggregation, governance, and expiration of content in an experience. I think it’s easy to focus on the first two parts of it – on the creation and aggregation of content. What are we getting, where are we getting it from, that type of thing. But I think the ethical issues around curation especially focused on governance and expiration are important – you wouldn’t bring content into an experience if you were an exhibit designer and say “Okay, well we’re going to include this particular painting but we won’t think about how to get it back to its original owner after the exhibit is over” or “We’re not going to think about where it needs to go back in our own collection if we pulled it from our own archives.” Or, if content is no longer relevant to an experience – maybe an exhibit has been designed to speak to a particular current hot button topic in the news – the exhibit designer is not just going to abdicate the responsibility of maintaining it and making sure that it’s still relevant to that topic and current. Online, I think we face similar challenges. If we’re bringing content into an experience, whether by linking to it on someone else’s website or maybe introducing a blog post about it, we can’t then abdicate the responsibility of continuing that conversation. That’s why we say content strategy is a committeemen, not just a campaign.

I think the challenge that we face then is how do we link to something faithfully – link to the original source material or give credit to the original copyright and follow whatever rules for that particular originator are. How do we make sure the links aren’t broken over time? Or, if we’re introducing a concept or linking out to a particular item on a website or writing a brief blog post about it, what are we doing to moderate the comments on that blog post? How are we remaining faithful to the content that we’re curating, and how are we remaining true to the target audience so that we’re then bringing them into the experience and then allowing them to interact with that content?

So it sounds like it’s about being responsible and accountable.

Some of it is about the logistics of it – like making sure links aren’t broken. But then there are the other issues of what’s our governance plans. Or we’re writing this number of blog posts this week, so what’s our plan to engage in the comments of those blog posts? If we’re making the commitment to start to start engaging as a brand on Twitter, how frequently will be tweeting and listening to what’s going on there and reading tweets from others so we’re staying abreast of the conversation?

Now that content strategy is a bit more mainstream, what do you see as its current challenges?

I think there are still a lot of challenges around curation especially as that’s becoming more mainstream. Can I bring in some automated curated solution and check it off and say ‘Okay, I’m done with curation.’ We want to work with people to make sure they understand the implications. I think that closely ties to issues of sustainability and our love affairs with tools in the content management world as well. Where in many organizations, content management is still a problem that IT owns and choosing the new CMS is something that comes out of the IT department. They choose them based on features rather than workflow, and they don’t look at content management as a cultural issue that relates to their organization’s publishing culture. I see that as a challenge frequently with my clients, to encourage them to look at content management as everybody’s problem – that often times has cultural roots, not just technical roots. I guess those two are big for me.

I think more and more, we’re seeing the opportunities and challenges that responsive design and design for multiple devices can pose. The opportunities there are tremendous. How can we tailor our content for different devices for different screens and in multiple contexts, and how do we make sure that we have the information to do that in an appropriate and useful way, not in an annoying way. That’s an interesting challenge for us. Fortunately, there are a lot of opportunities and the beginnings of solutions out there through smart, structured content and metadata.

Tell us about your book. It looks great!

It’s called Content Strategy at Work because one of the things that I think we’re always crying out for in our profession are more case studies, more discussion around the ROI of content strategy, and more war stories about things that go well and things that don’t and what we can learn from them. Over the course of the book, I met with brand managers, content strategists, project managers, IAs, and social media consultants in a wide range of agencies, large and small, digital agencies as well as more traditional marketing and advertising agencies, corporations, non-profits and government agencies to talk about their approaches to content strategy on different initiatives. We got some really good discussion and case studies, and we approached it from perspectives outside content strategy.

That’s another thing. As content strategists, we have our conferences, we meet with each other, we drink with each other, and those are all fabulous things and I’m thrilled to be able to contribute to that. I want to open the door a little bit and invite some other folks into our party and say if you’re a designer, an IA, a UX person, an SEO person, a social media strategist, a salesperson focused on business development – what do you need to know about content strategy? How can you bring it into your own practice, partner with a content strategist, or take a look at what they’re doing and incorporate it into your own work? That’s it in a nutshell.

The Content Strategy Questionnaire: Margot Bloomstein

We recently had the pleasure of chatting with brand and content strategist Margot Bloomstein, author of the upcoming Content Strategy at Work, which you can preorder here.
I’ll be posting my longer conversation with Margot shortly, but wanted to whet your appetite first with Margot’s responses to the first-ever Content Strategy Questionnaire! (Think Proust questionnaire but much, much nerdier – and less about your childhood.) Without further ado, here’s Margot and her survey:
What is your favorite content strategy deliverable?

The message architecture. Without communication goals, how can you attempt to communicate?

What is your least favorite content type? Your favorite?

My most favorite is whatever is most appropriate for the specific target audience and brand.

What content creator, dead or alive, do you idolize?

Kurt Vonnegut was pithy, insightful, and smart. We ask that of most content creators, but few respond.

The quality you most admire in a client?

Boldness. We cannot always wallow in perfect information, but when we can act quickly and with courage, the world can move on. And it’s HTML—we can always change it later.

Who are your content strategy heroes/heroines?

Jeffrey MacIntyre carries the torch with diplomacy. Karen McGrane is savvy and generous enough to share her wit and wisdom. And I learn a tremendous amount from museum exhibit designers, who practice many aspects of content strategy in physical spaces.

To what content strategy faults do you feel most indulgent?

I do love to indulge in a good dirty martini. Is drinking a “content strategy fault” or merely a defining characteristic?

Who is your closest content strategy companion on a project?

A friend in need is a friend indeed… and I try to keep open dialogue with designers, project managers, social media strategists, and the clients alike. My time shifts depending on the phase of the project and its focus.

What is a brand and/or website you love, when it comes to CS best practices?

I’ve been drinking a lot of tea lately. Time and time again I go back to Adagio.com, the website for Adagio Tea. It serves as a hub for their broader web presence, encompassing blogs, video, and microsites. Whether you explore user-generated content, instructional copy, or seasonal shopping lists, you’ll find a consistent and brand-appropriate experience that evolves over time in a sustainable manner. I touch on Adagio briefly in Content Strategy at Work.

What is your favorite word?

Modernity.

“Content is king.” Does that phrase need to be phased out or is it a keeper?

I’d prefer a gender-neutral alternative—and a catchphrase that encourages greater democratization of work, responsibility, and accountability. After all, the web is less a kingdom and more of a kibbutz.

The Journalist and the Brand

A few months ago, Mitch Joel predicted that content marketing would turn into branded journalism.
Joel argues that marketers must let journalists live and breathe as actual journalists within the company and report on the industry at large, undisturbed. I agree that journalism is the best marketing a brand could ask for (hello, PR departments!), but I think it’s pretty contradictory and outlandish to suggest that brands can start their own in-house journalism operation.
He says hiring a journalist part-time or starting an entire department will give organizations high quality content to publish. This content could include ‘unbiased’ articles about the industry or thought leadership work, including commentaries and interviews with influential individuals in the industry. He writes: “They could add a layer of credibility to the content you’re publishing, because you’re very clear in your disclosures that this journalist’s role is not to write favorable content about the company, but to write great content about the industry you serve.”
Really? Does anyone actually believe that a so-called brand journalist wouldn’t feel pressure to tout their own brand or minimize their brand’s deficiencies? What if the competitor is doing better? In what universe would a brand allow their own content to tout a competitor? Maybe there’s something I’m not seeing here, but the conflict of interest appears to be too great. I don’t see any situation in which Brand X would let a person they’ve employed rate one of their products as subpar in comparison to a competitor. Even if the purpose is not to discuss competitors or specific products but to inform with industry-wide content, the goal will still be to have the journalist reinforce the organization’s particular perspective or strategy. There’s no way an in-house journalist will be seen as anything other than a corporate shill, as good as their intentions may be. Newspapers try this themselves with the ombudsman, who is supposed to serve as an outside critic of the paper’s coverage. Sometimes it works, sometimes it backfires and critique can lead to internal strife.
But I do believe in the idea of creating valuable, meaningful content. I just disagree with the semantics of ‘branded journalism.’ Branded content feels more accurate to me, and I agree that journalism is a great place to get lessons on how to do it right. (I’ll write a separate post with some of those tactical lessons next week.)
Marketingspeak is rarely effective and most consumers can see right through it, even if it’s clever. Providing content – text, video, audio, photos, whatever – that’s not about you or your brand is where content is heading. It’s now about the consumer and his or her needs. By providing information about the industry or things related to but not actually about your product, you are performing a service for your audience. You are adding value beyond the product because you are finally thinking (and talking) beyond your product. And when you do this, you also start to stand out in the category.
Many fashion brands already know this about meaningful content – perhaps because fashion brands and women’s magazines have been collaborating together for decades, and it’s a widely accepted relationship. ‘Advertorial’ is a phrase often used to describe ads with ‘editorial’ content on them (actual paid ads), but it can also refer to the types of pages you see in magazines that blend product with in-house editorial content that is promised not to have been preapproved by the advertiser. (This may be a fine church-state separation for some, but notice that it’s rare for magazine content to feature products they don’t ‘love’ on their editorial pages.)
The challenge for brands, then, is doing this in an honest way. I think adding a level of accountability for brands can only be a good thing. If you’re publishing an article about how this industry technique or product is necessary and better than anything else on the market, it better be true. And if it’s not, improve the product. Turn thought leadership and the editorial content you produce into iterative action that proves you’re more than all talk. If your product is in fact not a great value, then work to make sure that it is. The meaningful, successful content on your site or on your social channels can provide a roadmap for your organization’s next steps.
If you’re concerned about quality and integrity (or just have limited resources), by all means outsource the content to vetted writers. I’m becoming a fan of Contently, a content creation house that serves as a safe, comfortable medium between vetted journalists and brands desperate for content. Brand publishing via freelance journalists. Currently, they’re writing blog and other content for reputable places such as Mint.com and LinkedIn. Because of their own internal selection process, the content that comes out isn’t content farm crap but real, researched content. (And writers are paid appropriately.) Assignments are unbylined, so the content comes from the brand itself, and the writer doesn’t have to brand his or herself as a communications writer.
The point is not to pretend that your content is unbiased but to focus more on providing trustworthy information out there that has a strong narrative and includes the audience wherever possible. Static corporate websites are over. You have to engage your audiences wherever they are and try to provide them with information or a service that can help them live their lives better. We’re doing this with the new searsStyle site right now, a branded editorial hub that touts Sears fashion but also provides useful information about shopping and fashion that would interest the Sears fashion audience.
And yes, that was a clever branded content tactic I just used: waiting until the end of this long, industry-related post to subtly mention one of our own projects. And I bet you don’t totally hate me for it!
(Points if you get the lame title reference to an excellent book by Janet Malcolm, The Journalist and the Murderer, which you should read and no one is paying me to promote. Service!)

New York Content Meetup: Curation is Still a Thing, Social Media Art

On Tuesday night I attended the first-ever New York Content Meetup. Meeting at Archway Cafe in DUMBO, around two dozen writers, musicians, artists, and strategists came together to drink beer and chat about content.
First speaker was the endearingly ill-prepared Stuart Tracte, a strategist at Definition 6 and host of Beer Diplomacy. Stuart made one major point:
-People need to stop talking about tech on tech. He led this off by asking how many of us in the room still use Google+. There were very few hands up, and Stuart claims this is because the only thing people talk about on the platform is Google+. I agree that there tends to be an overabundance of meta conversation when new tech ‘things’ come out, but I’m skeptical that the reason Google+ has run out of steam is because of that. (I think it’s probably just because Facebook is light years ahead right now.) Of course his point is true but it’s also inevitable, as customer bases grow and people become expert in a software. When the iPad first came out, it was a device for early adopters; now it’s being billed as an accessible device for less tech savvy users of all ages, young and old. And now apps are being developed to serve that new target market – it’s just part of the natural cycle of development, and it will effect the content of conversation over time.
Next up was Ron J. Williams, founder of SnapGoods and Knodes. He spoke about the importance of curation, a subject we’ve written about before and read about constantly. I did like a few of his lines, which seem pretty self-explanatory and valid on their own:
-Rock my mind with relevance. Cuddle me with curation.
-What was once appreciated is now annoying. (i.e. cat videos)
-Stream fatigue makes social suck.
-Content is king but curators rule.
When I brought up tech’s hot topic du jour – the danger of the filter bubble and suppression of relevant information in the face of hyperpersonalization – Williams clarified that he did not mean curation in lieu of discovery, which is still important. It’s up to product designers to make sure algorithms and recommendation engines are smart enough to give you a balance of the cat videos you love with the information articles you need to read. (And yeah, I get that it’s all subjective, but I think we know when something is informative versus when something is junk food, right?)
The second half of the evening focused a bit more on content creation.
Dan Savage shared his project GIF SHOP, an iPhone app that lets you create animated GIFs on your phone. He showed off some examples of artists using the format as a new medium for creation. Pretty cool and definitely more sophisticated than the animated GIFs we send around at Barbarian.(Not that I’m hating on those because those make my day.)
Risa Shoup, a curator, talked about a few artists doing innovative things in the social media space. She mentioned Jill Magid and Man Bartlett, who use social media to ‘produce’ art. We talk a lot about social media as a medium for curation but I think it’s also an interesting space to discuss how it can exist as art on its own and serve as a medium as real as paper or video. (Think about our Hudson installation that we debuted a few weeks ago.) I think the challenge for this kind of art – especially Man’s – is to prove its timelessness, the standard a lot of art is held against. It was cool think hear this perspective, since so much of social media is used as a promotional tool, especially for creative organizations which low budgets.
One of the coolest examples I know of an artist using social to produce creative work is composer Eric Whitacre. Watch this and this. You’ll see what I mean. He’s a composer who held auditions and put together a 2,000+ choir of voices entirely on YouTube to perform two of his original songs. It’s powerful to watch. Perhaps the next step in this is group composition, something more tangible and permanent than a string of rapidly changing tweets. Or perhaps I’m privileging permanence, tangibility, and timelessness too much when I think about art. What do you think?

UX, content strategy, and the importance of cross-training

At Barbarian Group, content strategy lives within the user experience department. (Our unofficial internal mantra: “We do the unsexy shit so you can be sexy.”) It’s a happy relationship. There’s tons of overlap within the two fields, especially as we consider what’s best for users. Because we take a ‘content first’ approach, content strategists and interaction designers here often work alongside each other to determine the right user scenarios and information architecture for a website.
But I wanted to learn more. I came into content strategy as a former journalist, a person with strong editorial planning skills but little knowledge of web design and development, let alone how a creative agency worked. While it was easy to think about editorial calendars, workflows, and voice/tone guidelines, the more technical skills were a bit harder to wrap my head around. The practice of interaction design was something that interested in me, in particular, because I realized that content strategy work at the start of the project didn’t mean my job was over. Even after the audits and analyses, it’s important for content strategists to stick around through the lifecycle of a project, making sure that the careful consideration of content upfront is reflected in design and development.
(As an aside: this beautiful diagram from Richard Ingram also led me to understand that despite where I came from – editorial – the technical and strategic approaches to content strategy would be important skills to acquire.)
While the role of a content strategist may be multidisciplinary, cross-training can benefit anyone in our field. When we work on teams, everyone brings their strengths to the table. But having an understanding of what we all do is also important. It helps us to give each other useful feedback. Most importantly, however, it helps us make sure that we are all talking about the same thing.
Ambiguity can derail a project. It can create situations where the clients and the project team have vastly different expectations. When I talk about style guides, I may refer to editorial guidelines, but when a designer uses the same term, the meaning is totally different. Take the oft-thrown around term ‘content type.’ Am I referring to the format of the content (PDF, document, JPEG), the source of the content (user-generated, in-house, freelance), or am I talking about its style (informational, humor, Q&A)?
For me, I wondered if my user personas would look the same as an interaction designer’s personas, or if there were key differences in how we’d approach it. I wanted to be able to intelligently comment on wireframes and prototypes, and I also wanted to make sure real content could be used in early designs as the UX team worked collaboratively. Luckily, Barbarian Group really encourages its employees to expand their knowledge (shout-outs to James DiStefano and Frank Marquardt!).
Recently, I attended a wireframing class at General Assembly to further my skills in interaction design. It was taught by a former YouTube UI designer, who showed us some of his early sketches and user tests for features of the site, including the creation of the playlist feature. In addition to some hands-on Omnigraffle work, I was able to learn a few IxD techniques that I think will help me with specific content strategy planning work. He showed us some ways he thought about key user tasks which map nicely to how I think about matching business objectives to user needs when I come up with strategy.
So, yes, cross-training is good. Learning how to wear multiple hats can only help the project team communicate and collaborate better.

Behind the UX: Tweetcracker

The Barbarian Group’s user experience department is back to share some of its latest work with you. Next up: Tweetcracker, a project we worked on with Samsung and Intel to promote the Series 9 laptop.
We spoke with interaction design director Chad Vavra and quality assurance technician Rina Razumov about their work on the project.
Read on to learn more about user flows, Twitter’s crazy API, and that one guy who hacked into the site.

Behind the UX: The GE Show

The Barbarian Group’s user experience team is going behind-the-scenes to show and discuss some of our kickass work. We’ll chat about our latest projects and explain how we tackled them. Recently, we chatted about Tweet Wrap for Samsung and the Kashi.com homepage. Now, we’re looking at the work that went in to sprucing up the wildly successful GE Show.
We sat down with interaction designer Jodi Leo to talk the project. Jodi came in after the show’s fourth episode to evaluate the site’s usability and make a few recommendations for improvement. Here’s an example of the ‘All Episodes’ page after Jodi made some usability improvements:
(And here’s what it was like before.) Pretty lovely, right? Read on to learn more!

Confab Session Wrap: Selling Content Strategy

Karen McGrane, of Bond Art + Science and an interaction design instructor at SVA, spoke to a packed crowd of audience of content strategists searching for tips and tricks on making the content strategy sell within organizations.
She started with a personal history, entitled, “Ways I Fucked Up By Not Talking About Content Strategy a Lot Earlier.” It was a painful kind of funny, as most of us nodded when she spoke about dealing with organizational structure, budgets where one person wins and another loses, and recurring scoping heartaches. McGrane says we need to see our present day as an opportunity to change the way we work and do business. Not just to fix things for unhappy people. And psst, it’s also a good opportunity to sell more work.
Here are some of the highlights:
-How do you sell content strategy into an organization that already has it? What can you do to persuade people? How do you get over roadblocks? What are the techniques for triggering the light bulb moment in other people?
-Design Management: McGrane teaches this class at SVA in Manhattan. It’s like business skills for UX people. The class drills into students’ heads that their values for interaction design can be sold – but they must understand that people in business only care to the extent that something drives business value. In other words, you have to frame it for what business cares about, which is money.

What do you have to do to articulate the business case?

Design is the easy part. Coming up with the better solution is EASY. For content, it’s the same thing. Content creation is the easy part. What’s hard is making things happen in an organization. Organizational change. You have to go out and get a whole bunch of people who care about different things and persuade them. That’s a life’s work. That’s really hard.

McGrane showed off a funny chart (I’ll try to find it and link to it later) that essentially connects three steps in the process: We have to figure out what the hell we’re going to do, then some stuff happens, then money pops up at the end of the other side if we’re successful.

PART ONE: WHAT THE HELL ARE WE GOING TO DO?
  1. You’re not selling content strategy. You’re a problem solver.
    You are a detective, your ears perk up when someone bitches or when people say there’s no value in this. How can I use the tools that I have, contextualize the work that I do, as a solution to the problem? Identifying problems in other lives and positioning yourself as the solution to it. You don’t even have to find problems – you can invent them by asking, “Hey, have you thought about what this will mean in the future?”
  2. You speak the language of all the seats at the table.
    You have to be sympathetic with the needs of everybody in the table: stakeholders, departments within creative, etc. They don’t want you to be at the table but you want to get a seat at that table. It can’t just be because you don’t want their job to be harder. You have to be able to articulate what your doing that provides business value. In other words, how are you going to show that you deeply, deeply rock?
  3. Like a spawning salmon, you propel yourself further upstream.
    If someone says “I want to be more strategic” – that says that I don’t want to do anymore work. It means I’ve found that I don’t do work and want to just have big ideas. If you’re not getting involved in those early meetings, you need to ask: what am I doing wrong? (Hint: You’re probably not good at strategic thinking, not good at ideas or perceived as sharp.) If you do get involved with those meetings: for the good of the industry, you have go to knock it out of the park. Make sure you are the nicest person in the room. You must be seen as a STAR that is going to help them avoid the shit storm but also create a lot of value in a unique way. Your perspective is going to help them do things they couldn’t do before.
PART TWO: THEN WE DO SOME STUFF
  1. You’re changing work habits.
    People HATE THIS. People have entrenched processes, their own patch of turf, and they will defend it to death. For you to get in there and push things a little bit – it takes time. All kinds of things you need to understand – agile or waterfall process? Multi-disciplinary skill sets? Understand the culture and values of an organization. Why is it this way, and are there any downsides? There is no one perfect process or org structure.
  2. You’re selling a process.
    Be very careful about balancing the strategic and factual. Get at the right level of granularity when you scope projects. Process is not destiny in terms of how you structure, but if you’re doing your job right – audits, analysis, etc. – that really does define the way people write contracts, stack projects, and scope work in the future. Make sure you have enough stuff at a high level of granularity so that you have freedom and flexibility to do what you need to do—but also get specific so they know what you’re going to do. (Personal note: I think this is called managing expectations.)
  3. You’re scoping the work.
    Get some time parameters in advance and figure out what you’re realistically able to do. You are never going to have enough time, and there is never a perfect scope of work. You have to say: “Given the constraints, here is what is realistic for me.” This is why when you write contracts, you should not document at too fine a level because then you’re on the hook. You need to sell to the client and offer a certain level of confidence to them, but don’t go overboard.
PART THREE: IF WE DO IT RIGHT, MONEY POPS OUT THE OTHER SIDE
  1. Your goal is to create business value.
    You have to understand how that business makes money and how they value what you do.
    Profit is not the goal of the business; profit is the yardstick. Creating a customer and creating value is shown whether they have a profit. My job is to understand what my business is doing to create customers and success.
  2. Businesses want to make money. Period.
    Reducing costs often reducing headcount and no one wants to suggest that, so you have to talk about what you’re doing to make this company money. How are you going to reach sales? Don’t explain it as an efficiency or pain point story, but as something that will achieve monetary value. For example: If we fix the CMS, we will fix X, and then we make money.) That;s the simplest argument you can make.
  3. You’re talking about ROI. Whatever that means.
Tools You Can Use:
The Hard Sell (Logic) vs. The Soft Sell (Emotion)
What is persuasive within the organization? What does the business care about and what are their motivations?
Hard Sell:
  1. Cost analysis:
    Do post-mortems and get real numbers.
  2. Usability Testing:
    This is the most profound way to convince people. Show a video of someone struggling, and you’ll get a powerful reaction.
  3. Analytics and KPIs:
    This can often be just a pat on the back tool, but this is also a DIAGNOSTICS tool. Use it to figure out measurable problems and to suggest measurable solutions.
Soft Sell: Socializing your ideas
  1. Lunchtime Sessions:
    Do a brown bag session with people at your organization. Have food, invite everybody to it, and talk about why it’s important. You can also have one-on-one sessions, and take people out to lunch. You have to keep that conversation going instead of writing those passive-aggressive e-mails. Is someone resistant? Why?
  2. Manage Up:
    What do you have to do to manage a boss? Executives are terrified because they don’t understand web or digital. Focus on that relationship.
  3. Build a Public Profile:
    Attend Meetups, LinkedIn, blog posts, write books.
    Persuade without offending. Be the leader. Be the change agent.
  4. Content Strategy is Change Management:
    How do you get them to start thinking in their business about users, not just customers?
    We have customers, but those customers are users and what does it mean to design and create digital projects that meet user needs? Usually, your content person is at the bottom of the org ladder, but your content problem is at the top. Digital is often not incentivized properly.
Different ways to sell content strategy:
  1. Evangelizing It:
    It’s probably tempting to think that you are going to be treated like the Second Coming of Christ. But really, you are a Jehovah’s Witness and the door will get slammed in your face. It is going to be a long road.
  2. Selling It:
    Connect up. Tie content strategy to business goals and values. Articulate your case.
  3. Promoting It:
    Promotion means persuasion. Great at framing the audience. Think of yourself as a persuader.
  4. Championing It:
    That means change management. And people do not like change.
    What does it take to understand the human side?
(Based on a session at Confab 2011: The Content Strategy Conference, held in Minneapolis, MN May 9 – 11.)